Pamela Rabe | The Drawing Room 2013 Interview

Chekhov for children? Pamela Rabe | The Drawing Room Interview

Pamela Rabe is starring in a contemporary version of The Cherry Orchard and writer Danny Katz has just released a new book for young adults called Mucked Up.

They join Waleed Aly in The Drawing Room to chew the cud on Chekhov and children’s books and all things Canadian.

Image: Danny Katz, Pamela Rabe and Waleed Aly (Barbara Heggen, ABC)Danny Katz, Pamela Rabe and Waleed Aly (Barbara Heggen, ABC)

Source: | 31 July 2013

Pamela Rabe & Philip Quast in "His Girl Friday"

MAKE IT SNAPPY – Pamela Rabe & Philip Quast about “His Girl Friday”


NOBODY says “Stop the presses!” any more. But they do in the theatre. In His Girl Friday, hardboiled newspaper editor Walter Bums leans into an upright telephone and barks out the immortal words: “Listen to me, I want you to tear out the whole front page. That’s what I said, the whole front page!”

In the same play, ace reporter Hildy Johnson tells her boss: “The paper’ll have to learn to do without me . . . I’m through … peeking through keyholes, running after fire engines, waking people up in the middle of the night.”

“It is language from another era,” actor Pamela Rabe tells me, “but it is delicious.”

Rabe plays Johnson and Philip Quast is Burns in a new Melbourne Theatre Company production of His Girl Friday. And meeting these expert actors at Little Press, a bar on Flinders St, they look the part — as if they’ve just walked out of a Chicago newsroom in the 1930s.

Pamela Rabe & Philip Quast | Photos by Ben SwinnertonMore importantly, Rabe and Quast sound right They’re relishing the rapid-fire repartee penned by former Chicago journalists Ben Hecht and Charles MacArthur, and finding the pace that powered Cary Grant and Rosalind Russell in the celebrated 1940 Hollywood version.

Quast says of Howard Hawks’ famous screwball comedy: “Its fast, all right At the time of the movie, it must have been a bit shocking to audiences. They’d never really experienced that before.”

Rabe agrees: “I think what the writers wanted to replicate was the sound of a newsroom. That cacophony of typewriting and chatter. Today, of course, you’d say it goes at the speed of tweets.”

Sounds like verbal ping pong …
Rabe: “More like tennis, really.”
Quast: “Yeah. There are definite baseline rallies.
“Then we move to the net where there are volleys … and that’s a different rhythm. Boom, boom, boom.
“Someone scores a point. Next serve.”
Rabe: “Stretching the tennis analogy, there are times when there are almost 15 people on stage and then it’s not singles or doubles … its a very crowded court.” Read More

Lunch with Pamela Rabe

Lunch with Pamela Rabe: reserved and revealing

PAMELA Rabe is one of those actors, like Robyn Nevin, whose performances are so invariably intoxicating that I sign up to see her regardless of the production she’s in. Well, almost. I didn’t leap to see The Wizard of Oz but that’s just me being a chronic snob. Rabe, who is not, and who played the Wicked Witch of the West in that exceptionally popular musical, rated it a career highlight.

I can imagine her relishing the chance to be wicked. She has a palpably mischievous streak, a sharp mind, a keen wit, a coy way of arching her splendidly shaped brows and of slipping phrases such as ”f—ability factor” into conversation with such refinement you’re left wondering if you heard right.

Lunch with Pamela RabeRabe is a delectable combination of reserved and revealing, polished and provocative. Today she’s wearing a feline-sleek, tailored black pants suit with a silky shirt that plunges to such depths that one must make a mental note not to look. Sitting on a plump, leather banquette, she effortlessly commands attention. The ah, X-factor, she’s still got it, even at 52 , even though she says her looks have never defined her as an actor.

”In fact, the only thing I would consider as an advantage is that I tend to have fairly flexible looks that change. I’m not known for my face, which is a great privilege, I say.” Read More

Pamela Rabe | Radio National Artworks

Artworks: Grey Gardens

One of the most extraordinary documentary films ever made is Grey Gardens. This was made in 1975 by the brothers David and Albert Maysles.

Grey Gardens achieved cult status because it brought to life two reclusive, eccentric women—a mother and daughter—living in a decaying mansion on Long Island, New York.

Some thirty years later, and after their deaths, Edith Bouvier Beale—Big Edie—and her daughter—Little Edie—became the subject of a Hollywood film with Jessica Lange and Drew Barrymore, and a Broadway musical, both also called Grey Gardens.

The musical Grey Gardens is being performed for the first time in Australia, at the Victorian Arts Centre in Melbourne, and it’s starring two of the most loved and distinguished women of Australian theatre: Nancye Hayes, and Pamela Rabe.

Pamela Rabe as Little Edie| Grey GardensPamela Rabe as Little Edie| Grey Gardens


Pamela Rabe | ABC Local Interview | Grey Gardens

Communism, delusion and art – fascinating combinations

PAMELA RABE, one of three people handpicked to program next year’s MTC season. She also stars in a new production of ‘Grey Gardens‘, based on a true story of ‘how the mighty have fallen’ – also a fascinating look into self delusion. Pamela plays little Edie, and Nancye Hayes plays Edith Bouvier Beale, they were Jackie O’s Aunt and cousin, who used to be filthy rich and swanky and moved in the highest society. But they hit hard times and sank into delusion. The house became a junk full of feral cats and they became reclusives. ‘Grey Gardens’ opens on 25 November til 4 Dec, 12 performances only at the Arts Centre Playhouse.

Jon’s co-host Stuart Littlemore is a barrister, author and former Media Watch host, also speaking tonight (10 November) at the Wheeler Centre for Law Week, it’s a free event at 6.15pm (in the south wing of the State Library).

FRANK MOORHOUSE, prizewinning author. He started as a newspaper copy boy – now his mantlepiece includes a Miles Franklin, a Walkley, the Victorian Premier’s Literary Award and the National Award for Fiction. His new book ‘ Cold Light’ is the final volume of his epic trilogy (a companion to Grand Days and Dark Palace).

Stuart Littlemore, Frank Moorhouse, Pamela Rabe (Samantha Stayner - ABC Local Radio)Stuart Littlemore, Frank Moorhouse, Pamela Rabe (ABC Local Radio)

ABC Local


Pamela Rabe - Life Matters Interview

Life Matters | In the next room, or the vibrator play

Sexual healing has come a long way since the 1880s.

Then doctors administered some very special treatments to women diagnosed with ‘hysteria’, apparently a common condition in women at the turn of the century.

A play making its Australian premiere, In the next room, or the vibrator play, explores this medical condition, and the preferred treatment.

Directed by Pamela Rabe and starring Jacqueline McKenzie.

Pamela Rabe and Jacqueline McKenzie | Photo by Jane ShieldsPamela Rabe and Jacqueline McKenzie | Photo by Jane Shields

Source: | February 2011

Pamela Rabe | The Ottawa Citizen 2000

An ‘Extraordinary Journey’

Pamela Rabe is a star in Australia and now, Jamie Portman reports, the Canadian actress is coming home and bringing Virginia Woolf with her.


When Pamela Rabe left Vancouver for Australia in 1982, she knew she was embarking on “a great adventure.” But she still didn’t know whether she would make it as an actress. Today, she is one of Australia’s most acclaimed performers — with some 50 plays, six films and eight television productions to her credit. She has a devoted national following Down Under: teenage girls adore her and send her letters and wait at the stage door with flowers.

Yet in the land of her birth, she remains an unknown — a situation the Shaw Festival plans to remedy this summer when she reprises one of her greatest Australian successes, a one-woman version of Virginia Woolf’s classic A Room Of One’s Own, at the intimate Court House Theatre. For Rabe, it is as though the wheel has come full circle.

“What has happened is amazing, actually,” she says in an interview. “I count my lucky stars. It’s been an extraordinary journey.”

Rabe was born in Oakville, an hour away from the Shaw Festival, but was raised on the West Coast. She attended the Vancouver Playhouse Acting School and had roles in several productions at the Playhouse itself.

She also fell in love with Australian-born director Roger Hodgman, who was head of the school and later artistic director of the Playhouse. When Hodgman returned to Australia in 1982, she went with him. A year later they married.

Pamela Rabe 2000 Read More