Read more about the article MAKE IT SNAPPY – Pamela Rabe & Philip Quast about “His Girl Friday”

MAKE IT SNAPPY – Pamela Rabe & Philip Quast about “His Girl Friday”

EXTRA, EXTRA: READ ALL ABOUT A NEW VERSION OF HIS GIRL FRIDAY, WRITES SIMON PLANT

NOBODY says “Stop the presses!” any more. But they do in the theatre. In His Girl Friday, hardboiled newspaper editor Walter Bums leans into an upright telephone and barks out the immortal words: “Listen to me, I want you to tear out the whole front page. That’s what I said, the whole front page!”

In the same play, ace reporter Hildy Johnson tells her boss: “The paper’ll have to learn to do without me . . . I’m through … peeking through keyholes, running after fire engines, waking people up in the middle of the night.”

“It is language from another era,” actor Pamela Rabe tells me, “but it is delicious.”

Rabe plays Johnson and Philip Quast is Burns in a new Melbourne Theatre Company production of His Girl Friday. And meeting these expert actors at Little Press, a bar on Flinders St, they look the part — as if they’ve just walked out of a Chicago newsroom in the 1930s.

Pamela Rabe & Philip Quast | Photos by Ben SwinnertonMore importantly, Rabe and Quast sound right They’re relishing the rapid-fire repartee penned by former Chicago journalists Ben Hecht and Charles MacArthur, and finding the pace that powered Cary Grant and Rosalind Russell in the celebrated 1940 Hollywood version.

Quast says of Howard Hawks’ famous screwball comedy: “Its fast, all right At the time of the movie, it must have been a bit shocking to audiences. They’d never really experienced that before.”

Rabe agrees: “I think what the writers wanted to replicate was the sound of a newsroom. That cacophony of typewriting and chatter. Today, of course, you’d say it goes at the speed of tweets.”

Sounds like verbal ping pong …
Rabe: “More like tennis, really.”
Quast: “Yeah. There are definite baseline rallies.
“Then we move to the net where there are volleys … and that’s a different rhythm. Boom, boom, boom.
“Someone scores a point. Next serve.”
Rabe: “Stretching the tennis analogy, there are times when there are almost 15 people on stage and then it’s not singles or doubles … its a very crowded court.” (more…)

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Read more about the article Lunch with Pamela Rabe: reserved and revealing

Lunch with Pamela Rabe: reserved and revealing

PAMELA Rabe is one of those actors, like Robyn Nevin, whose performances are so invariably intoxicating that I sign up to see her regardless of the production she’s in. Well, almost. I didn’t leap to see The Wizard of Oz but that’s just me being a chronic snob. Rabe, who is not, and who played the Wicked Witch of the West in that exceptionally popular musical, rated it a career highlight.

I can imagine her relishing the chance to be wicked. She has a palpably mischievous streak, a sharp mind, a keen wit, a coy way of arching her splendidly shaped brows and of slipping phrases such as ”f—ability factor” into conversation with such refinement you’re left wondering if you heard right.

Lunch with Pamela RabeRabe is a delectable combination of reserved and revealing, polished and provocative. Today she’s wearing a feline-sleek, tailored black pants suit with a silky shirt that plunges to such depths that one must make a mental note not to look. Sitting on a plump, leather banquette, she effortlessly commands attention. The ah, X-factor, she’s still got it, even at 52 , even though she says her looks have never defined her as an actor.

”In fact, the only thing I would consider as an advantage is that I tend to have fairly flexible looks that change. I’m not known for my face, which is a great privilege, I say.” (more…)

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Read more about the article An ‘Extraordinary Journey’

An ‘Extraordinary Journey’

Pamela Rabe is a star in Australia and now, Jamie Portman reports, the Canadian actress is coming home and bringing Virginia Woolf with her.

Niagara-On-The-Lake

When Pamela Rabe left Vancouver for Australia in 1982, she knew she was embarking on “a great adventure.” But she still didn’t know whether she would make it as an actress. Today, she is one of Australia’s most acclaimed performers — with some 50 plays, six films and eight television productions to her credit. She has a devoted national following Down Under: teenage girls adore her and send her letters and wait at the stage door with flowers.

Yet in the land of her birth, she remains an unknown — a situation the Shaw Festival plans to remedy this summer when she reprises one of her greatest Australian successes, a one-woman version of Virginia Woolf’s classic A Room Of One’s Own, at the intimate Court House Theatre. For Rabe, it is as though the wheel has come full circle.

“What has happened is amazing, actually,” she says in an interview. “I count my lucky stars. It’s been an extraordinary journey.”

Rabe was born in Oakville, an hour away from the Shaw Festival, but was raised on the West Coast. She attended the Vancouver Playhouse Acting School and had roles in several productions at the Playhouse itself.

She also fell in love with Australian-born director Roger Hodgman, who was head of the school and later artistic director of the Playhouse. When Hodgman returned to Australia in 1982, she went with him. A year later they married.

Pamela Rabe 2000 (more…)

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Read more about the article On the boards, up from down under

On the boards, up from down under

BRISBANE, Australia — After 18 years in Australia, during which she has established herself as one of the country’s best actors, Pamela Rabe is coming home to Canada to “connect the dots.”

Rabe, who was born near Toronto and raised in Vancouver, came to Australia in 1982 as a 22-year-old just graduated from drama school. She has since worked in almost 50 stage productions, eight TV series and six movies, including ‘The Well‘ for which she won the Australian Film Institute’s best actress award in 1996.

For the next few weeks, Rabe will be in Brisbane in Martin McDonagh’s award-winning play ‘The Beauty Queen of Leenane‘. On May 14, the morning after the curtain comes down on Leenane, Rabe, 40, flies back to Canada to spend four months at the Shaw Festival in Niagara on the Lake, Ont. She will be in George Bernard Shaw’s ‘The Apple Cart‘, directed by her former tutor Christopher Newton, and also in the one-woman play ‘A Room of One’s Own‘, based on the Virginia Woolf novel. Rabe won the Sydney Critics Circle best actress award last year for Room.

Pamela Rabe

She’s excited about returning to Canada for the longest period since she left as a young woman. “It’s going to be an odd cultural connection, but it will really join up all the dots for me.” she told the local newspaper. “I’ve got seven brothers and sisters and a mother waiting there for me. (more…)

Continue ReadingOn the boards, up from down under