Read more about the article Pamela Rabe locked on a new Joan Ferguson

Pamela Rabe locked on a new Joan Ferguson

Pamela Rabe is as ready as she can be for the reaction that is about to follow for her debut as Joan Ferguson on Wentworth.

Mindful that Maggie Kirkpatrick’s original creation of the role in the iconic Prisoner would elicit hostile reactions from fans on the street, she concedes, “I’m sure even this incarnation of the 21st century Joan Ferguson is going to piss a lot of people off.”

But what a role to play.

“With this character being so iconic in its creation, the execution in Maggie’s hands and peoples’ memories of how Officer Joan Ferguson existed, I get the sense that how Joan Ferguson, now Governor, enters into the prison environment is with a few more noticeable nods to the original creation,” she says.

“So you will see black gloves, an element of a fairly delicious disjunct with what people would consider a ‘sociable emotion of feeling’ and her strategies and objectives.

“She’s described by some other characters as a psychopath. There’s something in the way Joan has risen amongst the ranks that taps into those original characteristics of Joan Ferguson.”

Rabe hadn’t seen the first season of Wentworth when she was approached for the role, but she had seen some of Prisoner on Canadian TV where she grew up.

“They used to play Prisoner: Cell Block H on television, right after Don Lane, late night.

“They went to 24 hour programming before Australia so there was a lot of hours to fill.

“By the time I arrived in 1983 it was already part of Australian culture.

“I was aware of the characters, and particularly Joan Ferguson, enough to know I needn’t have any hesitation.” (more…)

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Read more about the article MAKE IT SNAPPY – Pamela Rabe & Philip Quast about “His Girl Friday”

MAKE IT SNAPPY – Pamela Rabe & Philip Quast about “His Girl Friday”

EXTRA, EXTRA: READ ALL ABOUT A NEW VERSION OF HIS GIRL FRIDAY, WRITES SIMON PLANT

NOBODY says “Stop the presses!” any more. But they do in the theatre. In His Girl Friday, hardboiled newspaper editor Walter Bums leans into an upright telephone and barks out the immortal words: “Listen to me, I want you to tear out the whole front page. That’s what I said, the whole front page!”

In the same play, ace reporter Hildy Johnson tells her boss: “The paper’ll have to learn to do without me . . . I’m through … peeking through keyholes, running after fire engines, waking people up in the middle of the night.”

“It is language from another era,” actor Pamela Rabe tells me, “but it is delicious.”

Rabe plays Johnson and Philip Quast is Burns in a new Melbourne Theatre Company production of His Girl Friday. And meeting these expert actors at Little Press, a bar on Flinders St, they look the part — as if they’ve just walked out of a Chicago newsroom in the 1930s.

Pamela Rabe & Philip Quast | Photos by Ben SwinnertonMore importantly, Rabe and Quast sound right They’re relishing the rapid-fire repartee penned by former Chicago journalists Ben Hecht and Charles MacArthur, and finding the pace that powered Cary Grant and Rosalind Russell in the celebrated 1940 Hollywood version.

Quast says of Howard Hawks’ famous screwball comedy: “Its fast, all right At the time of the movie, it must have been a bit shocking to audiences. They’d never really experienced that before.”

Rabe agrees: “I think what the writers wanted to replicate was the sound of a newsroom. That cacophony of typewriting and chatter. Today, of course, you’d say it goes at the speed of tweets.”

Sounds like verbal ping pong …
Rabe: “More like tennis, really.”
Quast: “Yeah. There are definite baseline rallies.
“Then we move to the net where there are volleys … and that’s a different rhythm. Boom, boom, boom.
“Someone scores a point. Next serve.”
Rabe: “Stretching the tennis analogy, there are times when there are almost 15 people on stage and then it’s not singles or doubles … its a very crowded court.” (more…)

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Read more about the article Lunch with Pamela Rabe: reserved and revealing

Lunch with Pamela Rabe: reserved and revealing

PAMELA Rabe is one of those actors, like Robyn Nevin, whose performances are so invariably intoxicating that I sign up to see her regardless of the production she’s in. Well, almost. I didn’t leap to see The Wizard of Oz but that’s just me being a chronic snob. Rabe, who is not, and who played the Wicked Witch of the West in that exceptionally popular musical, rated it a career highlight.

I can imagine her relishing the chance to be wicked. She has a palpably mischievous streak, a sharp mind, a keen wit, a coy way of arching her splendidly shaped brows and of slipping phrases such as ”f—ability factor” into conversation with such refinement you’re left wondering if you heard right.

Lunch with Pamela RabeRabe is a delectable combination of reserved and revealing, polished and provocative. Today she’s wearing a feline-sleek, tailored black pants suit with a silky shirt that plunges to such depths that one must make a mental note not to look. Sitting on a plump, leather banquette, she effortlessly commands attention. The ah, X-factor, she’s still got it, even at 52 , even though she says her looks have never defined her as an actor.

”In fact, the only thing I would consider as an advantage is that I tend to have fairly flexible looks that change. I’m not known for my face, which is a great privilege, I say.” (more…)

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