Read more about the article Significant Others | Pamela Rabe & Roger Hodgman | The Age 1993

Significant Others | Pamela Rabe & Roger Hodgman | The Age 1993

Fourteen years ago, when Pamela Rabe and Roger Hodgman fell in love, the sensitivities were so acute they told only their closest friends. Roger, 15 years Pamela’s senior, was the artistic director of the Vancouver Playhouse and Pamela was an inexperienced actor. Their situation was further complicated by the fact that Pamela, 19, was a student at the drama school at which Roger was teaching. They were so wary of becoming involved that they decided to do nothing about it, at least until Pamela left school. “That didn’t work,” Pamela says. “We tried.” Roger says.

After Pamela graduated, they lived together in Vancouver, and when Roger was appointed dean of drama at the Victorian College of the Arts, Pamela moved here with him. But in Australia, their careers collided head-on when Roger became first associate director of the Melbourne Theatre Company, then director. Since the MTC is the city’s major theatre company, the delicacy of Pamela’s position was obvious. “It’s a tricky area, it’s true,” Roger says. “After we came to Australia, for the longest time, we would never give an interview together (this was their first major joint interview). I don’t think it appeared in print that we were married until a couple of years ago. We just wanted to keep the thing as separate as we could.” (more…)

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Read more about the article Red-Hot Play And A Red-Hot Talent

Red-Hot Play And A Red-Hot Talent

On June 6, Neil Simon’s much-acclaimed play Lost In Yonkers opens at Sydney’s Theatre Royal. DEBORAH McINTOSH spoke to its star Pamela Rabe.

Pamela Rabe came to Australia from Canada in 1983, almost fresh out of acting school. “I remember at the time not knowing what I would be cast in and thinking ‘At least, maybe, I’ll be all right for a Neil Simon play’. And the funny thing is I’ve done everything but!”

Until now, that is. Rabe is to star in Neil Simon’s Lost in Yonkers, with Ruth Cracknell and Robert Grubb. The play won Simon the 1991 Pulitzer Prize and Tony Award for Best Play, and ripping reviews like “Neil Simon’s laughter and tears have come together in a new emotional truth” and “The last of the red-hot playwrights just got hotter”. (more…)

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Read more about the article No Business Like Shrew Business

No Business Like Shrew Business

From cackling with glee on a broomstick to playing the fiery Kate in ‘The Taming of the Shrew’, Pamela Rabe controls the message she gives.

At First I didn’t recognise Pamela Rabe. The last time I saw the Canadian-born actress she wore a tall, pointy black hat, a chin to match, and an evil grin. That was five months ago when she stole the show as the Wicked Witch of the West in the ‘Wizard of Oz‘, cackling with glee as she careened about on her broomstick.

Now, with her hair in a brunette page-boy style, Ms Rabe sat demurely sipping an iced coffee and studying a script of Shakespeare’s ‘Taming of the Shrew‘, in which she will play the fiery Kate (or Katharina).

Although she began acting in Vancouver, Pamela Rabe’s career began in earnest eight years ago in Melbourne as an aspiring 23-year-old. She moved into the dramatic mainstream, appearing predominantly with the Melbourne Theatre Company, and has become one of Australia’s most accomplished stage performers. Recent appearances here have included leads in ‘As You Like It‘, ‘Cho Cho San‘, ‘The Heidi Chronicles‘ and last November’s ‘A Moon for the Misbegotten‘.

In Vancouver, Ms Rabe had worked with director and husband-to-be Roger Hodgman, and accompanied him to Melbourne when he took up the post of lead of drama at the Victorian College of the Arts. After Mr Hodgman was appointed associate artistic director at the MTC and eventually took over the company’s helm from John Sumner, Ms Rabe became uneasy about the possibility of being regarded as “Mrs Hodgman” each time she was cast in an MTC production.

 

Pamela Rabe | No Business Like Shrew Business (Photo by theage.com.au)

A few of Pamela Rabe’s many stage guises: Kate (second from right), in shades and bridal beil, is the latest in the MTC’s 1950s-style ‘The Taming of the Shrew’
(Photo by The Age)

Thus, 18 months ago, she decided to base herself in Sydney. She landed major roles in the Sydney Theatre Company’s ‘The Ham Funeral‘, ‘The Secret Rapture‘ and ‘The Three Sisters‘, as well as ‘The Rover’. Now, having established her stage credentials beyond dispute (and to her own satisfaction) in both cities, Pamela Rabe is back with the MTC, at least until September. (more…)

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Read more about the article Across The Great Divide

Across The Great Divide

Two of Australia’s prominent actresses, Robyn Nevin and Pamela Rabe, are taking the plunge and moving into unknown territory in Sydney and Melbourne.

We have become so used to the great divide between theatre in Sydney and Melbourne that when an actress of the stature of Robyn Nevin says she is leaving Sydney to base herself in Melbourne it seems as though she ought to apply for a visa and have her passport endorsed.

But even as Nevin is planning to travel south, Pamela Rabe, an actress of more than equal stature, has forsaken Melbourne and moved her base of operations to Sydney, relinquishing — for a time — the company of her husband, Roger Hodgman, artistic director of the Melbourne Theatre Company.

Except for next month, when both she and Robyn Nevin are appearing in MTC productions. Robyn Nevin, the diminutive powerhouse, is playing the role of Bunny, in John Guare’s bizarre comedy ‘The House of Blue Leaves’, written originally in 1971 and revived to great acclaim on Broadway last year.

Pamela Rabe, tall and febrile, takes on the role of Josie in one of the later plays of Eugene O’Neill, ‘A Moon for the Misbegotten‘. This play, written in that final outburst of creativity before O’Neill succumbed to Parkinson’s disease, prefigures his later attempt in ‘Long Day’s Journey Into Night’ at coming to terms with his mother’s long-term drug addiction for which he blamed himself.

Pamela Rabe | The Age Interview 1990

‘The House of Blue Leaves’, directed by Mr Hodgman, opens on 3 November at the Playhouse in the Victorian Arts Centre. A week later ‘A Moon for the Misbegotten’ premieres at Russell Street.

Ms Rabe, who came to Australia from Canada in 1983 when Roger Hodgman was appointed head of drama at the Victorian College of the Arts, sees many similarities between Australia and Canada, including the sibling rivalry between Sydney and Melbourne, which she likes to the gulf between Toronto and Montreal.

“Canada tried to build up a facade of splitting our capital into two cities, and you’re forced to choose which one you’re going to go to and in making the choice it’s like you’ve made a pledge of allegiance. So that doing something as simple as going up and getting a Job in Sydney required that I shift my life and say: ‘I am now based in Sydney’. I knew I had to do that to get a look-in because I knew nobody was going to come down and have a look at me in Melbourne,” Ms Rabe says. (more…)

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Read more about the article New Face In Town

New Face In Town

PAMELA RABE earned accolades from critics for her performances with the Melbourne Theatre Company. In Sydney she is attracting similar attention. AMRUTA SLEE reports

Pamela Rabe | New Face In TownAs a fresh-faced drama student in Canada, Pamela Rabe played out her first professional role — a hooker — under the gaze of Tennessee Williams.
The legendary American playright was guest director at the tiny Vancouver Playhouse Acting School where she studied theatre. Rabe, rehearsing a small part, had plenty of time to observe Williams who had a disconcerting habit of discussing actors’ merits while they were on stage.
“He told me I had great legs,” she says cheerfully. To put it in perspective she explains she was so intimidated by everyone at the time that being watched by a theatrical icon was no more frightening than anything else. Now she sees it as a great introduction to the industry.

After that she fell in love with an Australian and in 1983 came out here to marry him — a move which coincided with the start of her acting career.
Home was Melbourne, where she became familiar to audiences as a member of the Melbourne Theatre Company, but at the moment it’s Sydney. “No-one in Sydney has seen me. I’m a new face.” she says. (more…)

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Read more about the article A Cartoon Caricature On Stage

A Cartoon Caricature On Stage

Cartoonist Jules Feiffer took the techniques of his satirical art and applied them to the stage when he wrote ‘Little Murders‘ in the late sixties. As in caricature, he began with common human foibles and enlarged and exaggerated them to the point where they became both hilarious and devastating.

He is said to have predicted the Me Generation and was the first of the humorists, like Woody Allen and Gary Trudeau, to exploit the neuroses, fears and alienation of the “urban beast” living with the constant assault on the senses in a big city.

Pamela Rabe hams it up in preparation for her role as an all-american daughter in "Little Murders"Pamela Rabe hams it up in preparation for her role as an all-american daughter in “Little Murders”

Although the play is now regarded as one of the greatest American comedy of the 20th Century, it closed after four shows when it first opened in New York in 1967. Pamela Rabe, the Canadian-born actress and winner of the Green Room award for Best Actress in ‘Gertrude Stein and Companion‘, plays the all-American daughter Patsy. She says that Feiffer’s vision of random violence as a part of everyday life was too close to the bone. Although it received many awards it “got slammed in the press”. (more…)

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